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Kind of Challengers blues

Note: this is a work in progress and can see the process:

The movie Challengers is not just a straight movie about tennis. It gets into the ins and outs of the game and literally dives into the reality of the challenger tennis circuit. On any given Sunday, any tennis player can beat anyone else, also what keeps players from rising in the rankings sometimes can be that one player you just cannot beat, it is the luck of the draw. It plays as two against one romantic trio, a former female, phenom, tennis player in college and two hotshot male tennis Academy players who to get her into bed, however, the movie Dell deep into the human relationships and psyche, the realism of the tennis is not bad. If you have seen the movie Wimbledon with Kirsten Dunst and Paul button, you can tell the differences. In the reality of things, the tennis players on the court are taking too many steps to try to cover the court in one instance there is a female opponent of the lead character who takes seven steps to run from corner to corner. Where is a professional tennis player will take three steps to cover the court. The ex-boyfriend serve is a hackers type of serve with no Baltas and coordinated swing his head turn and the elbow is right beside his head. This is a sign of server who has not been able to overcome his security and tossing the ball straight up. Nonetheless, he is very cocksure player, and for sure there are plenty of cocks on display in the movie. There is an athletic bodies confidence in the athletes who portray the tennis players in the sauna you’re wondering when the towels are going to start dropping. 

The movie Challengers is not just a straight movie about tennis. It gets into the ins and outs of the game and literally dives into the reality of the challenger tennis circuit. On any given Sunday which is usually the finals day of a tournament, any tennis player can beat anyone else. Built into the system and what keeps certain players from rising in the rankings is there can be that one player who you just cannot beat, it is the luck of the draw that keeps you from winning the match and moving onto the next round. The challengers level is akin to the minor leagues of baseball; playing your way up the system and hoping to get into the Top 100 when you can qualify to entry or another round of tournament play-ins or qualifiers which usually are three days of one on one head to head mini-tournament. How many open spots are held in the draw for qualifiers or wild cards is dependent on the particular tournament. Whoever makes it to last day of qualifying without losing do get into the main draw of a main tournament. “I’m a tennis player, I am in the tournament,” says the character who has to sleep in his car, unable to afford a motel room. Tennis players on the circuit also have to live the day to day, pay their expenses, depend on any winnings or nest egg to pay their way.

The premise of Challengers is the sliding doors of three players, two of them best mates from tennis academy days Art Donaldson and Patrick Zweig – Tashi Donaldson is the famous female collegiate star who has already played the Australian Open.
Challengers plays as two against one romantic trio, a former female, phenom, tennis player in college and two hotshot male tennis Academy players who compete to get her into bed, however, the movie delves deep into the human relationships and psyche. The level of compete of the tennis is realistic. The movie Wimbledon with Kirsten Dunst and Paul Bettany was etched more as a love story with Wimbledon and the surroundings providing the romantic background. (Kirsten Dunst had three months to learn how to play tennis, but the movie survives.) Challengers is a sponsor’s dream. Luxury of luxury brands. Sports cars. Sports brands. Adidas attire. Head tennis racquets.
“He’s not in love with you.”
In the course of things, a very careful observer of the tennis would say the action may be a tad overplayed, in one instance there is a female opponent of the lead character who takes seven steps to run from corner to corner, whereas the professional tennis player will take three steps to cover the court. Shots as seen in the real life or on the television, a point is usually player grabbing the right ball to serve, serve ball toss, hit serve, and point over after serve return, and returner hits out. Within the movie, it is almost Ben Shelton, hit or miss going for it mentality, and lines, in or out. Mind games and psyche out is a deep part of the Challengers challenging mindthink. As coach and psychologist and scouting on the internet for video and information on her husband’s next competition ranked in the 200s for Donaldson, Tashi Duncan now Donaldson has to balance being mother to child and mother coddling Art. Now in his thirty-second year, his heyday may be over; however, there is one challenge remaining: winning the US Open to complete his own career slam (Australian Open, French, Wimbledon and US Open are the four major Grand Slam tournaments. Winning even one is a career achievement, winning the four Slams in one season is the actual Grand Slam, which in reality has been only been one twice by Rod Laver, The ex-boyfriend serve is a hackers type of serve starting with no backswing and coordinated swing his head turn and the elbow is right beside his head. This is a sign of server who has not been able to overcome his security and tossing the ball straight up. Nonetheless, he is very cocksure player, and for sure there are plenty of cocks on display in the movie. There is an athletic bodies confidence in the athletes who portray the tennis players in the dour men’s dressing room and showers, and in the sauna in the scene between Patrick and Art, one could be wondering when the towels are going to start dropping. “This is a sauna.”
Bits of verisimillitude give further kudos to the depth of which the world strives. The narrative goes back from the now to the time thirteen years ago back to the 2011s. Flashing back to the time of names such as Marty Fish and the American domino Andy Roddick appearing on promotional banners are true to the times of 2011 where Roddick squared off against Nadal in the US Open finals, and the pair of Donaldson and Zweig won the U.S. Open boys doubles when they were teenagers, Zweig opting for the flashy shot, an exaggerated and unnecessary tweener at match point for victory. The thank you with their opponents at the net at match end, then cut to the party. Their pose for the cameras with their trophies shows an insouciance for polite manners. Zweig keeps flashing his irritating smile, getting under the skin of Donaldson, an annoying hustler’s characteristic that he continually hides behind while his career flounders in the lower 200s of the rankings in his thirties while Donaldson has gotten to the top winning his majors bearing a hard serve and a very traditional one hand backhand. Single-handedly he should be cruising over Zweig. But back at this point in time, the Tandi Duncan element – fresh in university concentrating on getting her degree while playing tennis rather than go the professional route – enters the picture, not wishing to be a home wrecker she ends the defining scene of the night, leaving the two boys to it to see which gets her number.
Forward to the time three months from the present, the dream duo of Donaldson and Donaldson appearing on a flash banner for Aston Martin, the high end car brand of James Bond. And beneath it Donaldson and Zweig diving into it in the backseat of his trashy car, Donaldson trying to ensure Zweig holds to his word that he will tank, and maybe a rekindling of a bout of feelings that will not go away because he is still crazy about her, whether vice versa is up in the air.
The world of Tandi is all-consumed by tennis. “Unfortunately my only skill in life is hitting a ball with a racquet. “In her forced retirement post-playing life she has no other choice, it is all she concedes she is good at. As a hired hitting partner for another player on the tour, and as a mother to child and more mother than wife to husband Art. She is single-mindedly focused on trying to get Art to focus on the US Open slam ahead while navigating his crisis of confidence. The US Open is the single tournament remaining to complete his own career Grand Slam which would be quite the achievement. She has to be tough-minded because he is not, even mulling his future as they live the hotel life their daughter favours – but they would have to pretend to be rich. So in her plans, instead of playing in Cincinnati, one of the main tournaments leading into the US Open, and playing top tier players she devises a plan to get him into one of the challengers tournaments in New Rochelle, New York – which would get him a lower level of competition (below 100 in the rankings) and victory he needs. Entering the challengers is a ploy sometimes even the top ranked players use to tune-up and regain their game. The caveat is the challengers is filled with the downtrodden and the up and comers on their way up to being a force in the future top tournaments (or even such as Alcaraz #1 in the world). Patrick Zweig is the former. In the world of challengers, it is every player for himself, paying all expenses, coaches or trainers or psychologists are beyond the ken of players unless bankrolled by a rich patron or daddy figure, eking out a living from cheque to cheque, craven enough to look for his next bed for the night over the phone app.
The rhythm and rhyme of tennis, proscribed by rules inside the lines, no rules outside. Every man for himself, it is a love game. Two guys vying for the same girl and she calls the shots. However, he finds out after sleeping overnight in the parking lot in his car and eyeing the breakfast sandwich the organizer is eating, that Art Donaldson is a wild card entrant into the tournament. His friend and nemesis. All over a girl. It’s always about a girl. Tandi Duncan. Her fans wear The Duncanator shirts, Duncan is the face of Adidas. Her life is before her, turn her family into millionaires, fashion line, a foundation. Zweig still has one trump card up his sleeve: he knows how to get into the head of Art Donaldson, and its face card is Tandi.
The movie is filled with endorsements, and likely sanctioned by the ATP tour and JP Morgan sponsor itself even if slightly outdated, if the posters be true of Sam Query (recently retired American), John Isner (retired American) and Rafa Nadal are postered on the tournament corridor walls as Donaldson walks before them on the way to the court and next match. I’m playing for both of us, Tashi, he says from their hotel bed. Providing background to Art Donaldson vs. Leo Du Marier are the real deal experts Mary Jo Fernandez and Chris Fowler (both high end tennis commentators from Tennis Channel and other major networks) are dissected on the television coverage.

Challengers also goes into the world public and practice tennis courts where you can be side by side with the next star or club hacker. Donaldson and Donaldson are Game Changer(s) on poster ads for Aston Martin. Aston Martin x Donaldsons. Zendaya on the left, Art Donaldson on the right. Tashi Donaldson who is his coach, also his wife. As a star player, she tries to explain what happened with her opponent during their time on court. “You don’t know what tennis is. It’s a relationship, we went somewhere beautiful together.”
Zweig only has his charms and wiles to get ahead, and a psyche-out mentality. He has an idiosyncratic serve and still a modicum of talent to get by. Flying ants everywhere in the challengers circuit buzzing around for the next honeypot. Keeping him going is the day to day grind and undoubtedly the game of tennis itself. Ranked 271 in the world and still dreaming of cracking ahead.
In between sets of the Challengers final, they ooze their final bits of confidence in themselves, doffing their shirts and stripped to their skins, showing off and taking a set break. A bit of anachronism as the final set break is starting at game 1-0, (in the modern game all set games are their own break and changeover at 0-0.) Ramping up the pressure of the finale; the watchers glued to their seats following the back and forth, Tandi at the centre of it all from her spectator seat (but more than a spectator) and perspective, this game gets into the guts and heart of tennis and carrying all that backstory would be soul crushing if it was not for that irksome grin of his nemesis fueling his own inner competitive spirit. At the height of his powers, to finally crush his foe, and unleash the anger, to get even, and beyond.

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Kind of Civil War

Civil War – take one 

On the second viewing with fish tacos

How do you script a war – how do you choreograph the mayhem and the humanity – 

It is the actions of Jesse from Missouri, the young aiming to be the next hotshot photographer of the war that directly lead to the deaths of at least two key journalists and photographer Lee Smith (from Colorado) – named after the original heroic Lee Smith war photographer. Hero or anti-Hero? Along for the ride is journalist and writer Sammy a veteran who remembers a time when Lee Smith was as old as Jesse who also hitches a ride. So Lee Smith takes Jesse along under her wing as a young apprentice. After Jesse’s first shattering situation, Lee tries to shake Jesse out of her shell by mentoring and coaching her in a tough unflinching way.



Armed with their cameras – Lee with a Leica and a short and zoom lens, and Jesse with a Nikon FE2 film camera and a 35 f/1.8 lens common to most Nikon owners, they go forward. You should never meet your heroes.
The film’s Lee Smith – key shot of career at Antietam. Highlighted scenes and the shots of the horror in the war zones. The movie falls into the rhythm of war, with spacey alternative indie music and cinematographic styles, keying into f/1.2 depth of field shots, the focus shifting on the principal character of the moment while conversing with each other (as decided by the actor or the director and writer Alex Garland who has a end of the world takes in his previous films The Beach, 28 Days Later or Ex Machina) which then suddenly jars into the heat of the moment. Civil War is another take on the apocalypse of a near future Civil War in America Dystopic scenes during the drive from where they are to D.C. where the President rules the country and the war. 

Jesse meets her hero Lee Smith as she is literally thrown into the fray. Lee takes Jesse under her wing for the moment. Lee Smith is just not a nom de guerre but a photographer for Vogue magazine and war correspondent with the U.S. Army during World War Two 

Capturing the sweet spot – what Henri Cartier-Bresson termed the decisive moment (or Jacque Henri Lartigue)

Jesse evolves from injured scared psyche of a chipmunk to inured poise of feeding off the feeling of being alive amidst the action. 



Take Two

Civil War – take two 

On the second viewing appetizer of two fish tacos at Don Mills Cineplex Odeon VIP

How do you script a war – how do you choreograph the mayhem and the humanity – 

The President is readying himself for his broadcast to the nation while he is directing the war against the secessionist Western Forces of California and Texas, and the Florida alliance has been defeated in its attempt to bring the Carolinas into the war. 

It is the actions of Jesse from Missouri, the young aiming to be the next hotshot photographer of the war that directly lead to the deaths of at least two key journalists and photographer Lee Smith (from Colorado) – named after the original heroic Lee Smith war photographer. Hero or anti-Hero? Along for the ride is journalist and writer Sammy a veteran who remembers a time when Lee Smith was as old as Jesse who also hitches a ride.
You should never meet your heroes.

This is a story of the journalists, and for relatability, the photographer and photojournalist, their quest for all the thrill and thrall, the feelings of the photographer trying to get the shot. All the physicality and the blindingly fast thinking that goes into shooting action. Action in this case being the war and the conflict. Civil War shows the human side of the characters, then throws them into the fire. The line of fire. Whether they are embedded or tagging alone or putting themselves into the situation, the soldiers look out for the press as well as for themselves, even during the fight as enemy guns shoot at them, often deadly.

The initial encounter between the two photographers does not bode well for the novetiate. Lee Smith in her press credentialed vest exits from the action to tend to Jesse who has taken a blow to the head.

The two meet again at the bar of the New York hotel where all the journalists stay. Lee has been in the company of the writer Joel from South America who is looking for the big story: to interview the President himself in person. In their company is a rival news agency grizzled writer Sammy (familiar face to those have seen DEVS or Dune part I and II), wizened and veteran of the wars, who should have long retired but presses on. Seeking his own story he wants a ride to Charlottesville where the Western Forces have their foothold close to the Carolinas.


The film’s Lee Smith – key shot of career at Antietam. Highlighted scenes and the shots of the horror in the war zones. The movie falls into the rhythm of war, with spacey alternative indie music and cinematographic styles, keying into f/1.2 depth of field shots, the focus shifting on the principal character of the moment while conversing with each other (as decided by the actor or the director and writer Alex Garland who has a end of the world takes in his previous films The Beach, 28 Days Later or Ex Machina) which then suddenly jars into the heat of the moment. Civil War is another take on the apocalypse of a near future Civil War in America Dystopic scenes during the drive from where they are to D.C. where the President rules the country and the war. 

Jesse meets her hero Lee Smith as she is literally thrown into the fray. Lee takes Jesse under her wing for the moment. Lee Smith is just not a nom de guerre but a photographer for Vogue magazine and war correspondent with the U.S. Army during World War Two 

Capturing the sweet spot – what Henri Cartier-Bresson termed the decisive moment (or Jacque Henri Lartigue)

Jesse evolves from injured scared psyche of a chipmunk to inured poise of feeding off the feeling of being alive amidst the action. 

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Kind of Skye secret blue weekend – final

impressions of a secret weekend

You walk into the party, the huddle of males with beers and cups of sky blue liquid in hand clinging to the shadows of the comic book page imaged walls, barely tolerated by the distinctively cool party girls standing around with a pose and kiss on the cheek for each other with élan, and a stare that spoke do not dare.

The max capacity invite only west end Division 88 club Friday night environment that would scratch the inner hacker of turn of the century tech, was filled with the subliminal hum of noisy music that muted the chatter of a hundred conversations to external prying or eavesdroppers. The level of fandom permitted through the doorway via secret ticket allotment had to pass the coterie of security impressive enough to make one think twice before venturing inside.

The photographer with the heavy duty camera was a cool hustler trying to make his way through the comic book relief club, shouldered his way to the front of a makeshift living room lamplit stage – in an easygoing polite manner maintaining the equilibrium flow and discipline to not be obtrusive,  then remaining nailed to the spot with Nikon in hand – waiting for the real party to start.

Actually, the pressing question of the night is what is real? ( lost in translation: as we all know too well : loneliness is a crowded room.) Skye Wallace’s new nervy song weaving a lattice of dream consciousness meet reality ideas.

Wild Black the opening partner embraced the night, the band and bewitched rhythm tracks heavily populated with dance grooves kept light and nimble on the beat in the darkness, accompanied for a collaborative moment by Skye Wallace.

Skye Wallace the root of street cool sewing her own connection to the music industry in her own style and it was all happening now – welcome to the machine – pushing forth a sketch of an idea of a tour set on her own terms and making the secret shows work. Skye Wallace impossible to ignore in the throng – the convection of cool swirling around her – determined to be the only heartbreaker. Consensual collaboration between the artiste and the machine – the turbulent flow of the confluence drew towards Skye Wallace as the vortex at the charismatic centre of it all – entraining the steel slag strings of guitar and the breath of air and vocal stylings.

The Triple J band J Stead J Strautman Jason Jang with J3m on some songs. Egging the crowd into a mutual silence, hushing the background chatter before strike first strike back assault mentality. Rage on against the night Tooth & Nail contrast. Moment of grace dedicated from a poet of Palestine. A bit of Tough Kid, the Keeper loneliness of a tell me how to be heartbroken – i am trying to break your heart accompanied by the harmonious duo of Altered by Mom Gina Kennedy and Devon Lougheed. Skye Wallace continually fights the good fight and the story behind Swing Batter. The drop of the new song What Is Real and rocking on to the finale of the set Coal in the Window. Yells from the crowd of four more songs settled for the encore of Bob Dylan from her favour album Desire One More Cup of Coffee was her last contribution to the evening delight, along with the QR code for the second secret show and the hearing of the new album she has been heralding at shows since the last year.

Leaving Skye Wallace secret show number one for the pages literally with No Doubt that it has been an amazing night all along  ( also heard as exit music was Radiohead on the house sound system and something Alanis You Oughta Know – the apropos tune on International Women’s Day – Our Lady Peace Superman’s Dead –  one drop of U2 ) 



Keep on keeping on – – dauntless soldiering on through three shows in three nights: a women’s fest behind her at jazz establishment Lulu’s Lounge on Thursday, the first of secret gigs at Division 88 on Friday and a night of fun ahead as guitarist with Dave Ritter (of Strumbellas), – the third show in the thirdth night pushing the button of manic depression searching her soul – then looking forward ahead to a time of how do I look stunning you’re breaking my heart at the SOCAN party.


Skye Wallace secret weekend continues with her third show in three nights Saturday night with guitar duties with Dave Ritter and the Heavy Secrets at Collective Arts Toronto Taproom & Café, a bar set in the

Trendy basement style of precursor of the eighties times style Richmond Street cafés and restobars in the heyday Twilight Zone party district. Inching your way past the ticket seller cashbox and band merchandise table to the front of the Collective Arts on Dundas Street West, expecting the metronome of rhythmic pulse house music except zinnia is already on stage.

zinnia

a stalwart seen in the company of Skye Wallace on stage or sharing the floorboards, this is the real zinnia seen on stage, flouting a cracking sense of humour and taking shots at divorce.

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this is zinnia on a good night

Dave Ritter and the Heavy Secrets

the nitty gritty of growing up pattering and patterning the chaos of Les Liaisons dangereuses dangerous secret lives of altar boys. The struggle of replacing a broken guitar string after the first song and Skye Wallace jazzily noodling standing by me with bass Darryl James and J Stead drummer on point. Casually name drop of Sloan Jay Ferguson contributing on one song and a leftover Tokyo Police tune on another. Dave Ritter is the choir boy breaking out of a shell and encouraged by the countless guitars on stage left and propped by the bass on right and drums behind.

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Altered by Mom
dive deep into the Nirvana Lithium sound – the power pop of Only Ones 

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probably too many references to their acronym but they are a lethal ABM aimed
straight to the heart
blow dry your hair
(ahem – take two)
straight to the heart
but you don’t care you give hair a bad name

arching backs perched on arclight high riser attitude and histrionic postures on flute bass and keys guitar pass the crown pop power knee high revenge attitude even better from a bemused drummer behind the beat waiting for a sign to continue a blitz of 52 songs. without backhandedness the singers have remarkable live voices holding pitch and awe. shut up!

When the music is over the photographer edges out of the bar into the nighttime hour, the street reflecting the neon of the signs of restaurants and bars disgorging the herd of leather skirts fingering their cigarettes. Inside the bar, closing time mingling amid the casual livewire chat of industry, the surrounding memory of the night and the night and the night before descends like a weight on her leaving Skye wondering what is real?


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Kind of blue book of joe

Once upon a music you never let go. This is the book for you.

Once in a while we have to curate.
This is the album for your ears and eyes. Does a Painter C’est What? compiles decades of residencies music into a narrative of the times of the band Paint and the moment the photographer stumbled down the stairs into the cave.

Once in a rattle and hum of ideas the concert film that will [display] Paint on stage at Cameron House.

The soundtrack and score to the movie of a moment in life. What is lie and truth?


One little bit of amusement from a rehearsal space, yet on a monumental night.

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Kind of Weyes Blood red

Weyes Blood. The Innocents. 2014. The second album.

English madrigal choral magic. Pluck of early mandolin and tubbing thump of bass from pastoral countryside. Early eery Strains of Nick Drake, Cate LeBon and Virginia Astley textures. Cool, curious magic and tragic. Heart told tales.

As I stand, up to the wall in fear to define history what lies right in front of me can’t feel as good as it used to be

1.Land of Broken Dreams 04:31
2.Hang On 03:45
3.Some Winters 06:15
4.Summer 02:47
5.Requiem for Forgiveness 04:29
6.Ashes 05:27
7.Bad Magic 05:54
8.February Skies 04:45
9.Montrose 02:57
10.Bound to Earth 03:39

february skies and tombstone morrows fires die as I wait for thee

<Montrose> into an esoteric cinematic film noir escapade.

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Kind of Blue Red Apple

Fiona Apple.

When The Pawn Hits The Conflicts He Thinks Like A King What He Knows Throws The Blows When He Goes To The Fight And He’ll Win The Whole Thing ‘Fore He Enters The Ring There’s No Body To Batter When Your Mind Is Your Might So When You Go Solo, You Hold Your Own Hand And Remember That Depth Is The Greatest Of Heights And If You Know Where You Stand, Then You Know Where To Land And If You Fall It Won’t Matter, Cuz You’ll Know That You’re Right

Second album blues. Supple, dense. Eclectic. Electric. Equanimity. Felix.

1999.
The year of the Fiona Apple second album. When The Pawn Hits The Conflicts He Thinks Like A King What He Knows Throws The Blows When He Goes To The Fight And He’ll Win The Whole Thing ‘Fore He Enters The Ring There’s No Body To Batter When Your Mind Is Your Might So When You Go Solo, You Hold Your Own Hand And Remember That Depth Is The Greatest Of Heights And If You Know Where You Stand, Then You Know Where To Land And If You Fall It Won’t Matter, Cuz You’ll Know That You’re Right
After making a Tidal impression back in 1996… along comes 1999. Associated with the electric Lennie and Red Hot guitar, the second coming of Lilith and the Sarah and the Meredith and Jewel and Natalie and Joan and Liz and Sheryl. Far post the Adore-ation era of Mellon Collie and the Infinite Sadness. The cool mood of Indigo Girls, that thang of Lauryn Hill. The scorch of Alanis. The hit me and oops of Britney.
It is criminal to think the Fiona album catalogue was hidden, languishing away from the world of vinyl for such a protracted period, then again the first two albums were never released on vinyl in the first place except by VMP which kept it exclusive.

When the Billie Eilish or Olivia Rodrigo or Dua Lipa set forth before their fandom at the forefront at massive shows, there should be a thank you for Fiona Apple bringing the genre of self-aware inside out reflective experimentation emotiveness solitude.
On vinyl, there is a massive soundstage that reverberates from the bottom while the piano and strings glide on this smooth surface with little stridency that is delivered by the Nagaoka MP-110 cartridge coupled with the Technics SL-1200 mkII, a classic combination of before this century technology.

Resist a temptation to spin the album at 45 rpm and instead gently wallow in the depression of the groove of Fiona on vocals and the drawn out melodies on piano. Get Gone is the castigating farewell whilst I Know is the gentle wrap-up for When The Pawn. Full stop.

On The Bound5:23
To Your Love3:40
Limp3:31
Love Ridden3:22
Paper Bag3:40
A Mistake4:58
Fast As You Can4:40
The Way Things Are4:18
Get Gone4:10
I Know4:57
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Kind of Red White Blue – take two

more ramblings on music

Charlotte Cardin99 Nights. Massey Hall 
Shimmying on stage and knows how to do that hippy hippy shake. Strutting her stuff in her white outfit the height of fit and cool striding the stage in her white kicks shoes. Confident and comfortable in her own skin. Popular hits from her catchy album 99 Nights which follows debut Phoenix filled the setlist.

she sings about her childhood idol Jim Carrey and how she has broken free and grown up since the obsession. (The two have chatted about this.) Centre stage was a grand piano in white with electronic pedals where the Montreal raised, Paris based Charlotte Cardin would play and emote, along with a smaller keyboard on stand. Accompanying her two person band — on drums and guitar or bass and keyboards as needed — was a flying wedge formation of violins on the riser to provide background for the melodrama. She delivered the hits such as Confetti and Sex to Me. The lady is going to be busy around the world as seen from the 99 Nights tour shirt, she will be on her way to destinations such as Neuchatel in Switzerland, Paris, Toulouse, France and Cairo, Egypt. Tonight’s second visit to Massey Hall in eight days would be the last night of this section of the tour and it was a celebration capped with bubbly in a glass shared with the crowd from the stage.


Nisa. Exaggerate. (Hit The North Records) ep. blue cassette. CD. The deep insight into the proverbial indie girl music life a la Parker Posey Party Girl. By day or by night, Exaggerate takes on different moods and tones, it’s a comedown Sunday morning or by late night listening it is the deep dive, by day Exaggerate takes on more of a reflective flashback to the night before; the minimalism of Nothing leads to the melancholy Exaggerate and a wistful or an affirming I want nothing from you that could be masking the searing anger at the louche ex in the life;

Nisa @ The Baby G in Toronto

Affection on side B is particularly brilliant with its loopy background as she sings in her sing song voice of being in a one-way relationship bathing in the glowing emotions by an afternoon window or a compounding nighttime bitterness as sun sets. Sever wraps it up gnawing its way to the end with a supercharged feedback of guitar. The last track Sever is the day after hangover buzzsaw into the psyche, at night it is the grinding of the teeth crash and marching of the ants of an all-nighter bender. une nuit americaine day for night; she, the contrarian to the loucheness of life around her. Is she the naif or the dominatrix of her situation?

So what is left is four songs on an ever-winding cassette narrating the tale of a sad It girl looking to the light by day or night. Nisa if she ever saw this would tell me we have it all wrong, not that it would not be the first time. 



https://nisa.bandcamp.com for the Nisa collective creation. New album Shapeshifting to be released April 26, 2024. Tracks available for listen.

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Kind of Blue impressions

Some February impressions as the groundhog golden slumbers.

Mitski at Massey Hall on a Super Bowl Sunday. In the real world, the Super Bowl LVIII was on and the Taylor is in attendance in the suite overlooking the field watching The Man. In a different world, inside the space of Massey Hall was Mitski, slinking with cat class and cat style. Mitski gives me fever. Lithe cat and dancer. Down to earth (relating the breakfast curry was not sitting well with her but the show must go on) and ethereal on stage, playing with the chairs as accompaniment and prop with the light as show and character.

I have just received the miki berenyi book which I am now reading.
miki berenyi. fingers crossed. how much saved me from success. In this 2022 edition, a Lush singer in her introduction tells in a story of her growing up years being tossed by her father into the Mediterranean Sea as a literal sink or swim moment, the “glamour and drama”, relying on strangers because her parents “had no idea on how to bring me up to keep me safe.” …. / more to come

Classic Albums Live Abbey Road at Roy Thomson Hall. The Disney Channel offered a 9 hour comprehensive through the lens look at The Beatles during the let’s make a television show in Get Back. Shown In this process were a few songs that were destined to show up on Abbey Road, the final album of The Beatles as the fab foursome. Classic Albums Live itself brings together some of the talent of musicians in their note for note recreation of the records they bring to life. Lobby bells ring. The mad dash to the seats. Lights out.
Come Together. Let the memories be. Do you close your eyes and imagine the four lads from Liverpool on a far-off stage bantering with the crowd and the rest of you rattle your jewelry.

Skye Wallace. Secret gigs. How secret they remain is yet to be seen or heard. Subscribe and read the Skye Wallace newsletter. Prepping on the road with Sass Jordan and a semi-secret Sunday session back again at the Cameron House with Tafari Anthony.


Sonic Youth. Daydream Nation. Deluxe Edition. Compact Disc. How nice to find you again my old friend. This definitely takes me back to the store on McCaul Street (across from the MuchMusic premises on one side and Pages and Black Market on another side) which sold all manner of the time the exotic CD coming into fashion, and the 20th anniversary edition of Dark Side of the Moon as the world of vinyl was beginning its not fade away. From Kim Gordon on bass and vocals, Lee Ranaldo the drummer supreme and Thurston Moore the non-singer singer on guitar launch themselves into Silver Rocket and Teenage Riot and the thrash and clash of acid trip and punk within a purple haze of lyrics.

NOTE: This ‘Deluxe Edition’ 8 panel Digipak with plastic ‘DELUXE Edition’ slipcover contains a copy of the original 1988 release ‘Daydream Nation’ with bonus track on CD1 and a previously unreleased live recording of the album that includes four cover songs on CD2. A glossy booklet containing photographs, drawings, release details and liner notes completes this package.


 

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Kind of Grammy

The Grammy Awards were presented on Sunday in two portions. The Early Birds awards were dedicated to those categories not being broadcast on primetime, instead shown via the grammy.com site or Grammy Awards YouTube site. However, many of the categories intrigued due to our current interests in the world of high-res music (courtesy of Blue Coast Music or NativeDSD, etc.), especially in all manner of jazz and classical forms.

Yuja Wang is pianist whose bravado on piano brilliantly shines on this Grammy Award 2024 for Best Classical Instrumental Solo in The American Project. A musical composition by music director Teddy Abrams of the Louisville Symphony. As with a project monikered as The American Project, the music covers 20th century classicism with a flash and panache devoted to the likes of the idyllic touches of Debussy or the American landscape of Aaron Copland or George Gershwin. The American Project encompasses the greatness of Broadway with its great orchestra that is entertainment from the world of Judy Garland, embracing Gershwin American in Paris pathos and dramatic climaxes. Passages in The American Project embrace stride jazz and other American music forms.

Yuja Wang is a pianist whose bravura on piano brilliantly shines on this Grammy Award 2024 for Best Classical Instrumental Solo in The American Project. A piano concerto written by music director Teddy Abrams of the Louisville Symphony. As with a project monikered as The American Project, the music covers the 20th-century classic landscape of Aaron Copland or George Gershwin with a sparkle and panache of Debussy. The symphonic score of The American Project encompasses the grandioseness of Broadway stage and the heyday of MGM musicals, melody with great orchestration that is entertainment from the world of Judy Garland, embracing Gershwin American in Paris pathos and dramatic climaxes. Passages in The American Project embrace stride jazz and other American music forms.
All this is handled so brilliantly by Chinese pianist Yuja Wang, one can only try to imagine the fingerings as she attacks the score with such ferocity and assuredness. The symphony follows and on occasion takes over in passages then are left behind as Yuja Wang breathlessly unaccompanied carries forth with such a thrilling approach to the end.

.

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Kind of C’est What Blues

How can you go from the immediacy of C’est What to the immediacy of Kind of Blue?

This is kind of a roundabout ramble.

For those not immediately familiar with the St. Lawrence Market neighbourbood venue of C’est What with its proximity to the former O’Keefe Centre, the Air Canada Centre, Second Cup Coffee the go to place for hot beverage at night, C’est What itself is a short descent to a darkened cellar – the hostess diverting the diner to a full service restaurant and bar on the left and the den of music without the din of either side obtruding into each other’s world. Obviated, obliviated, the music side is a narrow cave with an aisle way of tables dividing the centre and candlelit tables against the walls. Towards the front of the room as you may see it is a stage, cramped enough to hold an ensemble of musicians or comedians by the narrowest of breathing space. Through the space of a decade this stage held the compendium in all its guises that called itself Paint, a band that hailed from Vancouver and settled itself in and around the scene of Ontario from Toronto to Ottawa and extending even east to Montreal, Quebec. However, it is where C’est What is Home.


From a period of just over a decade comes flooding the light and music from under the floorboards of C’est What. Does A Painter C’est What? is a litany of captured tracks from so many shows at month long residencies by the band Paint. Throughout those years, the characters of Paint did vary around the chief vocalist on flash red guitar. These empty hands beseeched the musical gods for a place to play against the wrath of Ford. (The band won.)
…/ more to come

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Kind of when it happens to you – take four

<a question of when> is the name of the band.
The initials are aqow. The album is <when it happens to you>

Crawling into the crown of consciousness, the opening notes of the track “Land of the Dead” dawn as in the manner of Dvorak’s “New World” Symphony Number 9 tracing the narrative motif of creating a brave new world, the consequence of action of razing over the society of the Indigenous; thematic counterpoint of building a paradise and then putting up a parking lot. The rattle of hum, symphonic slam of cacophony in the track “fault_lines” driving for the jugular in a layering of guitar that crescendoes building momentum to a barrage and riotfest of tenor screeching vocals, guitar and the dissonance of discordant keys. The band gets it done, it is a riotfest throughout La Viiolencia. And still it rages on, through an elegiac elegy of sorts looking out at the horror, the horror, and the sun and the finale with the air of mournfulness I know this world is killing you permanence of impermanence. All tracking in at precisely as the clock strikes the minute of 40.


A Question of When is the name of the band.

<aqow>

Crawling into the crown of consciousness, the opening notes of “Land of the Dead” emerge narrating the classical motifs of Dvorak’s “New World” Symphony Number 9, weaving a narrative brimming with the consequences of action and thematic counterpoint of the idyl of building a brave new world towering and running roughshod over societies and relationships already co-existing, paradise to be overtaken by a parking lot. The ghost of Low era Bowie (even the vinyl of <a question of when> is a reminiscent orange) hovers and haunts <when it happens to you>, which is not to be faulted and acknowledged, while concentrating on the excellent multi-layered and multi-elemental production assailing from all sides whether through binaural headphones or atmospheric speakers, even two speakers will more than do. Familiar vocals from a familiar past reach alto heights over the strain of guitars and more guitars and strings and steady drums. The cacophony in the track “Fault_Lines” unleashes a symphonic onslaught, with layers of guitars building to a crescendo, culminating in a riotous tenor of screeching vocals and the dissonance of discordant keys. The band delivers a compelling performance, creating a tumultuous sonic experience. The album serves as a poignant ode to the Mother Nature, mourning in this lost time how long must we sing this song . All clocking in at 40 minutes.


A Question of When is a band known by the acronym AQOW.

The initial track “Valley of the Dead” opens with haunting notes reminiscent of Dvorak’s “New World” Symphony Number 9, setting the stage for a contemplation of the consequences of actions. In contrast, “Fault_Lines” delivers a relentless barrage of sound, with layers of guitars culminating in a riotous display accompanied by intense vocals and dissonant keys. The album’s last two elegaic tracks serve as a poignant tribute to nature and reflects on the passage of time. How long must this go on when it happens to you.


-40-


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Kind of Skye Blue – Take 2

Everything is fine.

Nobody puts Skye in a corner. She’s been relentlessly dedicated to crafting Terribly Good, her 2022 release, which is intense, bold, and courageous in showing strength and reflecting vulnerability. The album’s track length which is audaciously shorter than the Ramones debut features Skye’s powerful voice fearlessly surging resolutely onwards towards from opener Tooth and Nail the yelp on the final track Bite Me. Throughout the album she is accompanied by compelling drum-driven and bass instrumentation under the crunch of guitar.

The album’s tracks feature Skye’s powerful voice fearlessly surging resolutely onwards. There are playful keyboard chords and guitar on “The Doubt,” while she comes to terms with confidence on “Everything is Fine.” “Truth Be Told” is a resolute declaration of trying to take control, while “Phantom Limb” expresses the emotions of a breakup. “Keeper” portrays haunting desolation, and “You Left” conveys a sense of something being not right. The final track, “Bite Me,” approaches as a low prowl and growl. Beneath the moon she howls to her adversaries daring them to try and come get her. The lasting impression is the emergence of a confident Skye Wallace always ready to rock and take on all comers.

Personally, Terribly Good has been a steadfast go to album through difficult times with Everything is Fine with its assuring tone and accompanying humorous video representing the emergence of hope from the bad times left behind.


20221126_190522__DSC8971

Take Three

Terribly Good is the mirror reflecting the fragmentation of Skye Wallace self, select any piece and the examination of the view from the shard would be a reflection of her shattered psyche. She ponders the broken elements of her relationships, life, and soul in a manner that is quintessentially Skye Wallace.

The album’s tracks feature Skye’s powerful voice fearlessly surging resolutely onwards. There are playful keyboard chords and guitar on “The Doubt,” while she comes to terms with confidence on “Everything is Fine.” “Truth Be Told” is a resolute declaration of trying to take control, while “Phantom Limb” expresses the emotions of a breakup. “Keeper” portrays haunting desolation, and “You Left” conveys a sense of something being not right. The final track, “Bite Me,” features a low approaching prowl and growl as she howls under the moon to her adversaries to dare to try and come get me. The lasting impression is the emergence of a confident Skye Wallace always ready to take on all comers and ready to rock.

On a more personal note, “Terribly Good” has served as a consistent go-to album during those challenging times, particularly with “Everything is Fine” and its accompanying lighthearted video, which depicts a glimmer of hope through difficult circumstances.


For a visual glimpse of Skye Wallace’s Terribly Good record release performance at Lee’s Palace, click here.


Take Four

Terribly Good: The Mirror of Skye Wallace’s Shattered Psyche

With her latest album, Terribly Good, Skye Wallace delves deep into the fragments of her being, exploring the shattered pieces of her psyche. With each track, she reflects on the broken elements of her self, relationships, life, and soul in a quintessentially Skye Wallace manner. This raw and introspective work serves as a mirror to the explosion of her inner self, capturing the essence of her profound introspection. In the end what remains is a confident self that keeps on rocking.In her latest album, Terribly Good, Skye Wallace delves deep into the fragments of her being, exploring the shattered pieces of her psyche. With each track, she reflects on the broken elements of her self, relationships, life, and soul in a quintessentially Skye Wallace manner. This raw and introspective work serves as a mirror to the explosion of her inner self, capturing the essence of her profound introspection. In the end what remains is a confident self that keeps on rocking.


Take Five

With er newest album in the books, Terribly Good, Skye Wallace dives deep into the fragments of her being, exploring the shattered pieces of her psyche. With each track, she reflects on the elements of her self, broken relationships, life, and soul searching in the quintessential Skye Wallace manner. This raw and introspective work serves as a mirror to the explosion of her inner self, each shard capturing the essence of her profound introspection. In the end what remains is a confident knowing self that keeps on rocking.



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Skye is kind of fine

Everything is fine.

Nobody puts Skye in a corner. She’s been relentlessly dedicated to crafting Terribly Good, her 2022 release, which is intense, bold, and courageous in showing strength and reflecting vulnerability. The album’s track length which is audaciously shorter than the debut of Nirvana features Skye’s powerful voice fearlessly surging resolutely onwards with a yelp on the track Bite Me. Throughout the album she is accompanied by compelling drum-driven and bass instrumentation under the crunch of guitar. Personally, Terribly Good has been a steadfast go to album through difficult times with Everything is Fine with its assuring tone and accompanying humorous video representing the emergence of hope from the bad times left behind.

20221126_180321__DSC8878
Featured

Kind of Blue $75,000.00

A Saturday afternoon was chosen, and circumstances being circumstances, our experience did not begin until 4:30 p.m.
The ta-da presentation by the BBR salesman revealed the headphones rising from the inner sanctum of its box and the tubes from the surrounding amplifier in their glory, a 2001 moment.

With a quick hand towards the interface of the attached streamer connected to TIDAL, we were left to it.


  • Sgt Pepper’s Lonely Hearts Club Band intro
  • Day in the Life
  • Pink Floyd Dark Side of the Moon – Speak to Me & Breathe
  • Kate Bush – Wuthering Heights

Time flew by and ten minutes later the next appointments of the day were led into the booth. So much for twenty minutes. The impression had been set though. Ten minutes was just not enough.


Second session happened on another weekday and with no fuss. What was to be a twenty-minute experience kept continuing as no one followed us in the next time slot. Thoughts and selections came hurriedly to mind

  • Kate Bush – Wuthering Heights
  • Sgt. Pepper’s Lonely Hearts Club Band – Day in the Life
  • Beatles – Here Comes The Sun (2012)
  • Beatles – Here Comes The Sun (2019)
  • Pink Floyd – Dark Side of the Moon – Time
  • Miles Davis – Kind of Blue – Freddie Freeloader
  • Skye Wallace – Skye Wallace – Death of Me
  • Emerson Lake and Palmer – Works – Fanfare for the Common Man
  • David Bowie – Ziggy Stardust
  • David Bowie – Heroes

The impressions after the sessions.

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Kind of Blue Skye

discordant assault

20220610_210046__DSC6619
=

Skye Wallace is back! Tooth and Nail is the latest drop in her release discography.

Nobody puts Skye in a corner. Skye Wallace has tenaciously fought tooth and nail, clawing and gnawing her way to her current position, relentlessly pushing forward with every step in the creation of Terribly Good. Clocking in at a duration shorter than Nirvana's debut album, Terribly Good is an intense onslaught, bold and audacious, exuding unwavering confidence in confronting the future while also tinged with a sense of vulnerability. Her voice is a vivacious Cranberries Dolores howl as she growls "bite me". An arsenal of crunchy guitars laid over bass drops and pounding drum beats.
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Kind of Summer – August 10, 2023

Music listening of the summery moment

Endless Summer
Beach Boys

Songs We Sang In Our Dreams
Let It Come Down

This is a collection of summer songs by the Beach Boys, spread across two LP records. The album features catchy classics like “Fun, Fun, Fun” and “Wendy” and the moody “In Your Room”. The cover and inner jacket bear the vibrant cartoon style. The performances by the band (or the Wrecking Crew) convey the the Beach Boys studio ethos of the 1960s era. The records are designed to be played on the old fashioned turntable in a console, with the second record held on top of the spindle for easy flipping. The album includes tracks that capture the essence of summer, with the last song being “Don’t Worry Baby.” It’s a classic album that has been enjoyed for many years and has even been through the memories processed through the Discwasher record cleaning machine.


Album spinning as we type at the moment:
Songs We Sang In Our Dreams
Let It Come Down


Does a Painter C’est What?

Under embargo to mention.


If anyone out there can repair a NAD 214 amplifier, do let me know.

The evolution of a stereo system at the moment:

  • Technics 1500C turntable with Ortofon 2M Red cartridge (for playing older vinyl)
  • Denon DVD-3910 SACD DVD-Audio
  • NAD Monitor Series 1000 preamplifier
  • Tangent Ampster BT II
  • Ring Audio speakers
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Trick of the tale

Fight to the Death : Rematch

Upon revisiting the compendium of Sappho’s tunes from outer space – Sappho delves into the genesis of the story – the trick of the tale of the Fight to the Death: Rematch..

The aliens have taken over the mind of a lonely scientist on Earth who hear her cry for help to the universe. They interpret the signal as a sign of weakness.

The narrative of the war of the world invasion is weaved through house and trance rhythms. And in the words of Sappho herself: I like it that way. A cadre of DJs fell valiantly as heroes just for one day whereas they pass on the story of the conflagrationary war between the aliens and the humans.

Paranoia sweeps the nation as neighbours cannot tell friend from foe as the alien disguise themselves amidst the confusion – or are the alien the source of the affliction – you’re a lizard person. Or ironically enough the one song that did not get passed along with the DJs is Lizard Person who keep their identity concealed. Or maybe Sappho is the only one left to tell that tale.

The narrative starts at the apocalyptic moment with the final countdown song sung in acapella by accompanying Young Guns Quartet and Sappho.

Can’t Stop Me (Near/Far Remix)  has a surprisingly subwoofer earth-shaking chord

Going out on a high note with rave on trance and dance beats Out With A Bang – P Tee Money Remix the alien brain parasite has captured internationally renowned @afmawardofficial winning dj/producer. @pteemoneyofficial. prior to his untimely demise, P Tee Money was the UK’s most iconic DJ, specializing in progressive house. a true renaissance man, P Tee Money was also a published author, actor, aeronautical engineer, and an actual prince. His other contribution Can’t Stop Me – P Tee Money Remix the penultimate movement of Sappho’s FIGHT TO THE DEATH: REMATCH project is the last track of his legacy.

Electronicr&bbedroom popIndieindie pop

Distress Call (Daitm Remix) a dark EDM remix by Daitm with swirly whisper vocals

ElectronicEdmdubstepdarkmoodyMoroccanCanadian

Out With A Bang is revisited with a heavy house beat Chester Sky rendition.

Take Me to the Stars (Hyper Lion Remix) is the final single and chapter of the FIGHT TO THE DEATH EP series. Insistent disco beats and topsy turvy keyboard riffs and grooves which leads to the conclusion from the last happy hoppy sounding house rendition of Fight to the Death (Misery Bird remix).

Sappho had fleeting moments of time left for this Q and A.

What is it that makes an alien tick? Why do they like dance music?

1) nobody knows! But in this case, a primal drive to conquer.

How do you programme an alien dj ? 
2) Python mostly 

*Python is a programming language devised by humans to make coding easy in an objective way.
for exampe:
python –version
>>>print(“Hello, World!”)
>>>print(“Sappho is an alien”)


Do you give them the basic track or do they bring you back into their studio to record a back track or vocal ?
3) in real life, I record everything in my home studio, send it to my collaborator Bradley Hill for additional instruments and mixing, then send it to Mariana Hutten for mastering! Metaphorically though, yes I am abducted by aliens regularly.

How do they learn language?
4) classic Babelfish

Is it a universal statement?
5) yes

FIGHT TO THE DEATH: REMATCH

1.Fight to the Death – A cappella (Yonge Guns Quartet) 04:10
2.Distress Call (Daitm Remix) 03:43
3.Can’t Stop Me (Near/Far Remix) 04:30
4.Out With A Bang (P Tee Money Remix)02:46
5.Distress Call (Cozmic Cat Remix) 03:58
6.Can’t Stop Me (P Tee Money Remix)03:20
7.Out With A Bang (Chester Sky Remix)03:20
8.Take Me to the Stars (Hyper Lion Remix) 04:32
9.Fight to the Death (Misery Bird Remix)04:42

One track not listed here contains a hereditary evolutionary remix that infuses the classic YES 90205 track in Owner of a Lonely Distress Call. I like it that way. Plus the tribute to the generations continues on in a next Sappho project to come.

What has not been stated here yet is the obvious which what makes this worthy listening is the melange of music styles and story is so damn witty and clever (we realize musicians and composers do not like to be called witty or clever because it’s what they are meant to be in their craft as opposed to dullard – that’s entertainment after all) and funny with a flare for the heightened dramatic. This rematch along with the historic original Fight to the Death is a late night science fiction double feature.

(Or is the lizard person making me say this, I like it that way.)

-30-

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Kind of Fillmore East blues

ramblings and ventures into music on SACD



The Allman Brothers At Fillmore East
Capricorn UIGY-15032 (℗2013 ©1972)

Japanese SHM-SACD

(Brief sojourn on our venture into the world of audiophile or higher resolution music formats)

Experiencing Allman Brothers Band at Fillmore East brings a smile to the face.This is sheer listening pleasure, especially as this SACD brings out all the nuances and details of the live act – the Fillmore East shows being hailed as the best concert recording. Fillmore East is also Duane Allman’s last album.

The Allman Brothers are a Southern country rock jamming band with all the blues and jazz structure as you can hear for yourself. The Japanese SHM-SACD includes the original seven tracks from the three nights of the spirited performances. The evening starts with Duane Allman on slide guitar on Statesboro’s Blues. Done Somebody Wrong is a rollicking blues with guitar lead and boogie bass. Stormy Monday is the sad blues. The long trademark jams are the band at its best, long but so good. Dickie Betts’s In Memory of Elizabeth Reed (from Idlewild South) with lead guitar trade-offs and the drum solo parts carry the album to the last and seventh track on the SACD. Whipping Post is a whopping 23 minutes and its tease on the fade out notes can only leave the fan or listener at home yearning more of what is to be delivered, Mountain Jam as heard in its entirety on Eat A Peach).

1Statesboro Blues Written-By – Will McTell*Written-By – Will McTell*4:22
2Done Somebody Wrong Written-By – Clarence LewisDavid C. Thomas*, Elmore JamesMorgan RobinsonWritten-By – Clarence LewisDavid C. Thomas*, Elmore JamesMorgan Robinson4:35
3Stormy Monday Written-By – T.Bone Walker *Written-By – T.Bone Walker*10:28
4You Don’t Love Me Written-By – Willie Cobbs Written-By – Willie Cobbs19:18
5Hot ‘Lanta Written-By – Oakley, B.*, Trucks, B.*, Betts, D.*, Allman, D.*, Allman, G.*, Johanson, J.J.*Written-By – Oakley, B.*, Trucks, B.*, Betts, D.*, Allman, D.*, Allman, G.*, Johanson, J.J.*5:22
6In Memory Of Elizabeth Reed Written-By – D. Betts *Written-By – D. Betts*13:05
7Whipping Post Written-By – G. Allman *Written-By – G. Allman*23:10

tracks listing from the wikipedia

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Kind of gossip girl show me to the party Taylor

a quick glimpse of sorts into music


The Pretty Reckless
Light Me Up
Interscope Records – UICS-1227, DAS Label – UICS-1227
Japanese Blu-Spec CD 2 (BS CD 2) deluxe edition format

The Pretty Reckless is a hard rock compendium of talent sprouting from the vocals of former Gossip Girl actress Taylor Momsen.

Gossip Girl Jenny Humphrey is left behind, the good girl gone bad, breaking free from the programme so she could accomplish her rock and roll dream, Taylor dispels the image and goes to the other end of the spectrum, toughing it out a la Joan Jett.
Light Me Up when I’m down is the message and title track of the band’s debut album produced by Kato Khandwala (who in the studio also does all the bass and plays guitars with Ben Philips) on Interscope Records.. The musicians behind Momsen’s which can go from whisper to a belt it out vocals definitely back her, they rock with crunchy guitars and hit the bass and drum so strikingly tight. The backup vocals on You Make Want To Die from guitarist Ben Philip are haunting. Nothing Left to Lose is a ballad paean of a couple and she losing the love of her life in the blink of an eye. But Light Me Up rocks and the album issues three hit singles: Make Me Wanna Die, Miss Nothing, and Just Tonight. Zombie, Make Me Wanna Die with the acoustic guitar and Far From Never are the three extra bonus tracks make the blu-spec cd2 collector’s edition worth getting. The production sound quality on this BS CD2 is hard and crunchy emphasizing the lead guitar with bass bottoming out very tightly with the vocals floating while the drums splash and cymbal are precise.

xo xo

(The Pretty Reckless Light Me Up on compact disc as tested through an OPPO 103D and Audio-GD DAC.)

Light Me Up album cover
1My Medicine3:14
2Since You’re Gone2:42
3Make Me Wanna Die3:56
4Light Me Up3:28
5Just Tonight2:48
6Miss Nothing3:14
7Goin’ Down3:36
8Nothing Left To Lose4:12
9Factory Girl3:31
10You3:32
Bonus Tracks
11Zombie3:10
12Make Me Wanna Die (Acoustic)3:34
13Far From Never3:37
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Kind of Sappho

impressions and musings on music

(As we were provided by the artist/s with the highest resolution 24 bit/48 khz wav masters of the songs for Fight to the Death, we are playing them through the highest version of our upstairs home stereo system). The words that follow is merely our impressionistic interpretation of events)

Fight to the Death is a narrative in multiple voices of a planet trying to save itself

Sappho’s Fight to the Death harkens the cold metallic version of the BBC version of the days of future past meets now tale as opposed to a certain Tom Cruise manic run for your life and an annoying screaming Elle Fanning,


As one knows this is La La Land territory with song and dance threatening to break out any moment. This spacey soap opera entertainingly and with amusing lyrics covers so many dancey styles of music ranging from the get-go with techno dance tracks to South American jazz guitar samba leading to the finale rave on.all encompassed under Sappho’s soaring voice. Each stage of this space opera musical has its own backstory replete with music. We did say La La Land or the false nostalgia for the day the earth stood still one day?

After an overture of the Fight to the Death theme for the night, the chanteuse with a lively stratospheric voice spells out the chain of events. In the first song of sci-fi internet musical “Fight to the Death”, in which a lonely scientist seeks a connection to something greater, the scientist looks to the skies above for a sign of life out there in the West Side Story somewhere universe. Be careful of what you wish for!

a nightmarish extraterrestrial hears radio signals emanating from Earth, and begins their journey towards the unsuspecting planet

I got your distress call
Might just be your downfall, baby

Distress Call in a musical role reversal where after the protagonist sends out the siren call signal and in counterpoint it is the receiver of message who interprets it as a distress call and relishes what is to come. The music instead of being filled with frenzy and panic is laidback, reflects the calm confidence and menace of the alien eyeing its target. Lizard Person has the hero eyeing those eyes – the truth is out there with a X-Files paranoia as they face the enemy among them taking over their world. By the countdown for the final showdown of the titular song, Fight to the Death has hero and foe as counterparts in a strummed guitar jazz samba duel duo off that would fit inside an Ennio Morricone score, one could imagine the crack of the whip.. The finale of the opera goes Out With A Bang. a fabulous techno rave ending. Yet the conclusion is nebulous, as to who wins with one left in a state of wonder or a Matrix dreamscape. We have met the enemy and all that jazz.

(The tale and more re-mixed tracks can be fully obtained via the sappho.music bandcamp site !)

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Kind of everything is fine : One Question with Skye Wallace

One Question
with
Skye Wallace



Feel free to ignore the premise. Taylor Swift speaks in common language, she will use similes and metaphors her words tend to speak in the venacular (but I come back stronger than a 90s trend) or directly. You both speak in folklore or evermore with your stories are either more couched in vivid imagery or the clever and fun. Taylor is more concise whereas Skye Wallace conjures more poetic sophistication? Upfront and simplistic, veiled and sophisticated? speak in the vernacular or in classic dreamy imagory?  Is your approach with lyricism in songwriting tailored to observational or the conjectural abstract?

This is my pre-ramble to the one question to Skye Wallace.

I have been playing Norah Jones Come Away with Me along with the likes of Getz / Gilberto (which gave the world The Girl From Ipanema and Corcovado Quiet Nights and Quiet Stars) and Frank Sinatra Songs for Swingin’ Lovers. Their lyricists which include themselves evoke more romanticism in a few phrases and Frank can pack more volume in a swinging line than Taylor Swift or Ed Sheeran. Again with Taylor Swift, she self-admittedly is her own elephant in the room. She can bring in her own army of musical support along the lines of The National or Bon Iver. I have always been drawn to the adrenaline rush either live or on record or disc of earlier Skye’s songs on the first albums with that mystique of Blood Moon or MeanSong 2 or Dead Things. And you cannot ignore the literal wallop of Skye Wallace album on Swing Batter or Death of Me or There is a Wall or Body Lights the Way. So here comes the question.

(Once again feel free to ignore the premise of the question or the question.)

SKYE WALLACE: Good question. I think there’s a lot of merit to both ways of writing. My way of more veiled poeticism has been both something that people really love and something that I’ve received criticism about, especially with desires of entering into the radio world. I’ve had people tell me that songs on the radio these days just say what they mean and that I should be more literal, but the more I tried, the more I felt that I strayed from my own spirit of writing. I’m down to try new things and I even wrote a bunch of more literal songs that I love, but I do also think there’s absolutely a place for more poetic, less-literal lyricism. I think it’s impossible to align yourself with trends and “what’s on the radio” anyway; a losing battle. As soon as you emulate a trend, it will inevitably have changed. All you can do, in my opinion, is be yourself and do your thing in a way that you care about and the rest shines through.

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Kind of mode

impressions on music


The dystonic post-or-now-apocalyptic world of Depeche Mode with the doom and attendant gloom. The breezy easy days of their debut Speak and Spell have been supplanted by the twelfth album Ultra with its Flood-NIN-Bowiesque style Tim Simenone helter skelter production (and engineered by Q) - as we all come together (or fall apart with Alan Wilder leaving the band) - staring at the end of the barrel of a gun. David Gahan at the low point.

Depeche Mode
Ultra

Sony 888837708822

With the Denon DVD-3910 now in our possession, the hunt was on for music to feed the beast. What better than the series of Depeche Mode releases on the DVD/CD format? The DVD (which is in PAL format and quite playable on the Denon player) portion is presumably on the DVD-Audio side of things with 5.1 mix in Dolby Digital 5.1 Surround or DTS 5.1 and a PCM Stereo version. The PCM Stereo version is what is selected here (since the RCA audio connections are all that is present on the back of the Vector Research VR-220 receiver which has served us well since Ring Audio days). The DVD also contains three tracks recorded live in London April 1997 and bonus tracks. With the DVD comes a small quirky documentary film about Ultra (the album that almost did not get finished). Depeche Mode. 1995-1998 (Oh Well, that’s the end of the band).
Needless to say but saying it nonetheless, the music sounds just great in stereo. 

these random writings are styled as part of the “running-in” period for the KEF Q350 double bass reflex speakers. What a double bass.

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Kind of pretox

random ramblings and reflections of random music


what is the good of a heart if you can’t break it


Pretox
Last Call

The CD from the Hammer City based trio moving to the bigg times is a cut above the rest – very much of a live to the floor mix with a crunchy rockstar stylings of Alex Maich on guitar and swingy Jesse Taynton groove bass that kicks the bottom end, and precision metronomic Ryan Luke drumming. Songs of heartache or broken heart and not going to stay sober reflections. Throwing kerosene on a relationship and waking up on a Sunday morning… we’ll be fine. This is not good-bye.

A solid starter from Pretox and representation of the music that kicks even more to life during their more than lively and bantered stage shows where their fueled at last call personalties shine.

52510850_784028888630638_5533524482779512832_o.jpg

This is part of a process of the “run-in” of the new KEF Q350 to warm up the double bass reflex speakers. Viewpoints of the actual music do not change. The quality of the songs remain the same.

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Kind of innercool – Kelly Lee Owens

impressions of music

Kelly Lee Owens
Inner Song

Smalltown Supersound – STS372LP


Track listing
Arpeggi
On
Melt!
Re-Wild
Jeanette
L.I.N.E.
Corner Of My Sky
Night
Flow
Wake-Up


My version of this two LP album is on the white vinyl. White records kind of look cool and still sounds great. The production on this second album from Kelly Lee Owens is superb and fascinating music for listening in the dark. With a big boost of thudding bass and the sweep of the upper end register from the keyboards the feeling is of being right there in the club house.

Haunting effusion of modern day electronics of Wales born Kelly Lee Owens with a cover of Radiohead >>>>> Thom Yorke and Johnny Greenwood >>>>>> Arpeggi . Experimental clubland music with an off-kilter dance orientation. Soaring high end vocals. From trip hop to bolder presentations with the added spoken lyrical contribution on the track Corner of My Sky from another Welsh musician of note John Cale (of the Velvet Underground and so on).


As the “run-in” of the Dali Oberon 7 speakers continue, records chosen at random are set on the platter to spin.

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Kind of sweet talkin’ woman

impressions on music

Electric Light Orchestra
Out of the Blue
U A JTLA-823-L2

From the October 1977 original double vinyl of the Jeff Lynne helmed Electric Light Orchestra with the iconic cover of the flying saucer space station receiving the spaceship. The crescendo and rollicking Turn to stone, slow down sweet city talkin’ woman. Classical Electric Light Orchestra replete with Beethoven grandiosity and rolling over Beethoven overtures (but that is another album).

Out of the Blue as a double album conveys the sense of the city through the progression of the day, More of a Days of Future Passed for the 1977 era.

A1 Turn To Stone 3:48
A2 It’s Over 4:08
A3 Sweet Talkin’ Woman 3:48
A4 Across The Border 3:52
B1 Night In The City 4:02
B2 Starlight 4:30
B3 Jungle 3:51
B4 Believe Me Now 1:21
B5 Steppin’ Out 4:38
C1 Standin’ In The Rain 4:20
C2 Big Wheels 5:10
C3 Summer And Lightning 4:13
C4 Mr. Blue Sky 5:05
D1 Sweet Is The Night 3:26
D2 The Whale 5:05
D3 Birmingham Blues 4:21
D4 Wild West Hero 4:40


As the “run-in” of the Dali Oberon 7 speakers continues towards the 100 hour mark, the records spin to nurture their appetite for a wide range of vinyl.

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Kind of mono – part 3

Julie London – SHM-5401

Cool and elegant. Earth(a) kitt and sensual.

By sheer happenstance as we reflect upon a case of mono recordings, Julie London turned up at the top of the stack of vinyl.
Julie London on Sunset Records SUM-5104

A1LauraWritten-By – Raksin*, Mercer*Written-By – Raksin*, Mercer*1:37
A2In The Middle Of A KissWritten-By – Coslow*Written-By – Coslow*2:40
A3I’m In The Mood For LoveWritten-By – McHugh/Fields*Written-By – McHugh/Fields*2:28
A4That Old FeelingWritten-By – Brown*, Fain*Written-By – Brown*, Fain*2:35
A5My Love, My LoveWritten-By – Haymes*, Acquaviva*Written-By – Haymes*, Acquaviva*2:38
B1Baby Come HomeWritten-By – Troup*, Rowles*Written-By – Troup*, Rowles*2:40
B2Tain’t What You Do (It’s The Way That Cha Do It)Written-By – Oliver*, Young*Written-By – Oliver*, Young*2:05
B3Bill Bailey, Won’t You Please Come HomeWritten-By – Cannon*Written-By – Cannon*2:05
B4Spring Is HereWritten-By – Rodgers/Hart*Written-By – Rodgers/Hart*2:05
B5Blue MoonWritten-By – Rodgers/Hart*Written-By – Rodgers/Hart*2:20

Companies, etc.

Credits

Other Versions (5 of 7)View All

A1LauraWritten-By – Raksin*, Mercer*Written-By – Raksin*, Mercer*1:37
A2In The Middle Of A KissWritten-By – Coslow*Written-By – Coslow*2:40
A3I’m In The Mood For LoveWritten-By – McHugh/Fields*Written-By – McHugh/Fields*2:28
A4That Old FeelingWritten-By – Brown*, Fain*Written-By – Brown*, Fain*2:35
A5My Love, My LoveWritten-By – Haymes*, Acquaviva*Written-By – Haymes*, Acquaviva*2:38
B1Baby Come HomeWritten-By – Troup*, Rowles*Written-By – Troup*, Rowles*2:40
B2Tain’t What You Do (It’s The Way That Cha Do It)Written-By – Oliver*, Young*Written-By – Oliver*, Young*2:05
B3Bill Bailey, Won’t You Please Come HomeWritten-By – Cannon*Written-By – Cannon*2:05
B4Spring Is HereWritten-By – Rodgers/Hart*Written-By – Rodgers/Hart*2:05
B5Blue MoonWritten-By – Rodgers/Hart*Written-By – Rodgers/Hart*2:20

Companies, etc.

Credits



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Kind of mono part deux



A series of reflections on music or records

This is Kind of mono Part Two

Part One is dedicated to a listening of the pressing of Kind of Blue Columbia that was released on blue vinyl Columbia – CS 8163. However, life sometimes kind of throws you a bowl of spaghetti at you, so you dodge.


Sitting here in the dark with Brothers In Arms (20th Anniversary Edition) SACD playing. Who in this current century is still purchasing a SACD player or searching for actual Super Audio CD? Although it may be deemed a dead format by someone who is in the game told me, nonetheless the thought of having the perfect rendition of a favourite record spinning in the night is enticing. With the Denon DVD-3910 universal DVD player — the Swiss army knife able to play a whole host of DVD and CD formats and surfaces — the atmospheric soundscape of ths album transports the listener into the clouds with its sharp and shiny production.

Starting with So Far Away, the SACD is an ideal format for Mark Knopfler’s guitars and gruff expressive voice all the way to the last track of Brothers In Arms and the feel of tight bass elements with the drums sitting just right into the mix. The single track Money for Nothing absolutely showcases the dynamics of the production and wha is possible on SACD. Then there is the jaunty Walk of Life. Even in this age of the re-emergence of vinyl as a desired item to possess and play, this Mobile Fidelity SACD from 2005 would fit into your collection and with its hybrid format, it would play in the normal listener’s CD player. Considering the price of the Mobile Fidelity vinyl version of Brothers In Arms, the MoFI SACD is quite affordable.

As a novel listening experience in this era. Listening to an actual SACD in your own private listening room in Future Shop on a comfortable couch. Recommended.

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A case of mono

A series of reflections on music or records

With the recent RSD 2021 release  Chet Baker Sings, the trumpeter gets to feature his singing voice. The feature of the release is it is in mono. Being in mono actually brings this recording to life.

Listening to it is a pleasure and being a stereo or audiophile nut (albeit without the budget) means the resurrection of the Connoisseur BD-1 belt drive turntable that was built by the experts at Ring Audio. The assembly kit was placed on a solid piece of wood that was anti-vibration. Drilled in place beside the platter is the original classic SME 3009 tonearm. Chosen for its characteristics to accompany the tonearm is the Nagaoka MP-10 cartridge, a Japanese cartridge that for its time was expensive. Fortunately, the MP-10 cartridge still works with the new generation of its brand of stylus options. The MP-110 replacement stylus represents an upgrade over what would have been its new MP-100 counterpart.

Together, the Nagaoka combination sounds like a dream, accurate and bringing out detail in the mid-range. The high end rings and the bass is present.

That it is from the original mono tapes acutally brings this recording to life. Keeping it in mono makes it sound less processed. With eyes closed, the image of Chet Baker Sings rings true centre.

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Life on the road 2020

This original post was written in a time before life as we knew it shut down. This was going to be a year with lots of promising bands, new records to come out of the studios and breakthrough release parties in the clubs. Well, you all know what happened next. This post was a small document on trips to the clubs to visit friends and see them on the stages, just like back in the old days when we would be hitting the road every weekend throughout Ontario or literally the rest of the world (whether it be in under down under New Zealand or the top of the world in Finland or Sweden). This was the original post with some of the last photos we took in the clubs.


Snowy weekend in Toronto. It is the middle of January and already the camera has been traveling to three different clubs. What happened to hibernation?

  1. January 4, 2020 – Heather Valley – Cameron Club – Toronto, ON
  2. January 9, 2020 – Time Machine release party – Sappho – Tomacco – Ary – Body Double – Junction City Music Hall – Toronto, ON
    20200109_195800__DSC0708
  3. January 16, 2020 – Pretox – Straight to Business – Bovine Sex Club – Toronto, ON
  4. January 22, 2020 – Sappho @ The Boat
  5. January 31, 2020 – Tomacco @ Monarch Tavern
  6. February 1, 2020 – Heather Valley @ Tranzac Club
  7. February 8, 2020 – Skye Wallace w/ Les Deuxluxes, Zinnia, Lenny Bull @ Horseshoe Tavern
  8. February 9, 2020 – Dirty Rick, Dead Levee @ Bovine Sex Club
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More travels to come! (Crossing fingers)

Time Waits for No One – January 26, 2020

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Background: After a visit to the Turntable Doctor during Boxing Day week, the recent inspection of my Ortofon 2M Blue cartridge stylus, the verdict was 1000 hours of life left on it. So how long is 1000 hours of stylus life? Obviously, the answer is 1000 hours. The quick math translates 1000 hours to 6 weeks of 24/7. However being human, how long would it take me to explore my record collection to reach 1000 hours of play? The answer is the subject of these posts. Turn off the lights and have a listen to 1000 hours and counting down.

Dead Dogs can learn new tricks. Dead Dog Records know all the old tricks.

Enter through their doorway in the Bloordale Village and it’s the place where everyone calls you Joe. The folks there have my tastes down to a T so we start with the letter G.

Gillian Welch - Harrow
Gillian Welch The Harrow and the Harvest

GILLIAN WELCH
The Harrow and the Harvest
ACNY 1109LP

Gillian Welch fans know Gillian is pronounced with a hard G. Consider me a learned fan now. Whether this record be country or Americana, the album is plaintive songs filled with simple stories sung of harrowing tales and hard times, faith and the other side ahead.

There’s six white horses coming after me
Six white horses coming after me
Pretty as a picture, certain as the scripture
Six white horses coming after me

Steely Dan - Gaucho
Steely Dan Gaucho

STEELY DAN
Gaucho
MCA 6102
Release: 1980

It is 1:11 a.m. on a cold winter’s day. And what better time to slip on Steely Dan onto the turntable evoking the cool hipster lifestyle of sunny CaliforniL.A. Walter Becker and Donald Fagen tunes, immaculate players and playing with a horn section from Tom Scott to boot taken to the limit. Too cool for school? I have read too many reviews of snobophiles who use a myriad of Steely Dan AJA pressings and SACD as the test source for showing off their equipment, I do not fall into that camp, but I thought Steely Dan Gaucho would be a smooth experience.  The quest for perfection in the studio. Or obsession. Who is up for a listen to Toto IV or Dire Straits?

led zeppelin I
Led Zeppelin

LED ZEPPELIN
Led Zeppelin
Atlantic ‎– 8122-79664-1
Release: 2014 (initial release 1969)
“The Led Zeppelin legend began in January of 1969 with the group’s eponymous debut. From the opening salvo of “Good Times Bad Times,” on through to “Babe I’m Gonna Leave You,” “Communication Breakdown,” and “Dazed And Confused,” the album introduced the band’s unmistakable sound and left an indelible mark on the music landscape.” So said so well straight from Led Zeppelin itself.

rolling stones rnr.ROLLING STONES
It’s Only Rock ‘N Roll
Label: Atlantic
Rolling Stones Records ‎– COC 79101
Release: 1974

Production at Musicland by the “Glimmer Twins” of Mick Jagger and Keith Richards.
Rhythm n bluesy swagger in the studio with a very forward imaging. It’s Only Rock ‘n Roll is the classic anthem of r n r. Brash, sassy, arrogant.

NINE INCH NAILSNIN - Pretty Hate Machine
PRETTY HATE MACHINE
BICYCLE MUSIC COMPANY B0015099-01

The start of it all in a reissued format on 180gm. Bicycle Music Music bought out TVT and pressed this on 180gm black vinyl album.

Continue reading “Time Waits for No One – January 26, 2020”

You call some place paradise, kiss it goodbye – January 18, 2020

FeaturedHotel California

Background: After a visit to the Turntable Doctor during Boxing Day week, the recent inspection of my Ortofon 2M Blue cartridge stylus, the verdict was 1000 hours of life left on it. So how long is 1000 hours of stylus life? Obviously, the answer is 1000 hours. The quick math translates 1000 hours to 6 weeks of 24/7. However being human, how long would it take me to explore my record collection to reach 1000 hours of play? The answer is the subject of these posts. Turn off the lights and have a listen to 1000 hours and counting down.

Linda Ronstadt, the subject of The Sound of My Voice movie on CNN inspired tonight’s listening. Skye Wallace’s self titled album has been burning a hole into my ears and her photos from recent club performances on stage with band fronting for Lowest of the Low (see image below) have been blazing from my smugmug and others social media. The record itself is black vinyl with a test pressing label! The listening was quite enjoyable with little to note about any distracting noise. The album ranges from moody reflections to full on guitar and bass rockers which capture the adventures of her life.

20191214_211754__DSC5166

Luxury Liner
Emmylou Harris Luxury Liner

Emmylou Harris Luxury Liner was handy and was the natural follow-up. (Dolly Parton and Nicolette Larson provide back-up vocals amongst many. Dolly Parton, Emmylou Harris and Linda Ronstadt comprised Trio for their two albums.) Even though this is a Warner Brothers Canadian pressing from 1977, the production was immaculate with little if any surface noise. The highlight of Luxury Liner is naturally Emmylou Harris’s voice itself and stellar talent in the band.

Hotel California
Eagles Hotel California

While sorting through albums, the Eagles Hotel California on Asylum Records 1976 turned up more than coincidentally (the members of the Eagles being early members of Linda Ronstadt’s band). Checking the 7ES 1084 catalogue number, this album copy is the 1976 Canadian pressing with the gatefold from Asylum. The record might have needed a little bit of record cleaner and a zap of the Zerostat gun. There were a few reminders that this Hotel California was not a compact disc. Otherwise, the memories of past sitting down by the stereo come back. Which is part of the vinyl experience. The familiar intro to Hotel California led all the way past New Kid in Town to the end of side one with Wasted Time. Flipping over the record brings in the reprise of Wasted Time. The second side is the opposite of Life in the Fast Lane and exits with the more sombre outro of The Last Resort. Raise the needle and turn off the stereo for the night. It is 1:11 a.m.

If you have a nice comment or stylus recommendation:

DATE ARTIST ALBUM FORMAT TRACK ALBUM TIME RUNNING TOTAL CASSETTE TIME
2019-12-28 NILS FRAHM SCREWS ALBUM SIDE A/B 00:28:00 00:28:00  
2019-12-28 CRASS Sheep Farming in The Falklands flexi SIDE A 00:05:22 00:33:22  
2019-12-28 U2 NO LINE ON THE HORIZON ALBUM SIDE A 00:17:00 00:50:22  
2019-12-30 BOB DYLAN LIVE AT BUDOKAN ALBUM SIDE B 00:26:42 01:17:04  
2019-12-30 SUPERTRAMP EVEN IN THE QUIETEST MOMENTS ALBUM SIDE A/B 00:43:25 02:00:29  
2019-12-30 APHEX TWIN SELECTED AMBIENT WORKS 1985-1992 ALBUM SIDE A/B 00:34:20 02:34:49  
2020-01-01 EMMYLOU HARRIS LUXURY LINER ALBUM SIDE A/B 00:38:35 03:13:24  
2020-01-02 BOBBY WISEMAN SINGS WRENCH TUTTLE IN HER DREAM CASSETTE SIDE A   03:13:24 00:29:07
2020-01-05 ELUVIUM COPIA VINYL SIDE A 00:18:50 03:32:14  
2020-01-05 ELUVIUM COPIA VINYL SIDE B 00:21:00 04:12:55  
2020-01-05 GLENN GOULD WELL TEMPERED CLAVIER VINYL SIDE 1/6 00:19:41 03:51:55  
2020-01-08 The Replacements Pleased To Meet Me VINYL SIDE A 00:16:16 04:08:11  
2020-01-08 The Replacements Don’t Tell A Soul VINYL SIDE A 00:19:14 04:27:25  
2020-01-18 Stevie Nicks Bella Donna VINYL SIDE A 00:19:28 04:46:53  
2020-01-18 Skye Wallace Skye Wallace VINYL SIDE A/B 00:33:21 05:20:14  
2020-01-18 EMMYLOU HARRIS LUXURY LINER VINYL SIDE A/B 00:38:35 05:58:49  
2020-01-18 The Eagles Hotel California VINYL SIDE A/B 00:36:58 06:35:47

 

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1000 Hours of Stylus and counting down – January 8, 2020

Today’s listening was a couple of classic albums from The Replacements! The records listened to were Pleased to Meet Me (1987), and Don’t Tell A Soul (1989). These are on black vinyl, the original price of Pleased to Meet Me is a whopping $6.97. These two albums are going to be re-issued soon with coloured vinyl. However, the two Replacements albums are minty black and sound fine the way they are. Talent Show from Don’t Tell A Soul and Alex Chilton from Pleased To Meet Me are alive as ever.
As well, Stevie Nicks Bella Donna from 1981 is about as perfect an album as there is and is also going to be re-issued. This one might be worth exploring as a re-issue. (Total album listening time to date is 4 hours and 48 minutes.) Also spun the compact disc of The Replacements Let It Be which sounds fine as a CD.

DATE ARTIST ALBUM FORMAT TRACK ALBUM TIME RUNNING TOTAL CASSETTE TIME
2019-12-28 NILS FRAHM SCREWS ALBUM SIDE A/B 00:28:00 00:28:00  
2019-12-28 CRASS Sheep Farming in The Falklands flexi SIDE A 00:05:22 00:33:22  
2019-12-28 U2 NO LINE ON THE HORIZON ALBUM SIDE A 00:17:00 00:50:22  
2019-12-30 BOB DYLAN LIVE AT BUDOKAN ALBUM SIDE B 00:26:42 01:17:04  
2019-12-30 SUPERTRAMP EVEN IN THE QUIETEST MOMENTS ALBUM SIDE A/B 00:43:25 02:00:29  
2019-12-30 APHEX TWIN SELECTED AMBIENT WORKS 1985-1992 ALBUM SIDE A/B 00:34:20 02:34:49  
2020-01-01 EMMYLOU HARRIS LUXURY LINER ALBUM SIDE A/B 00:38:35 03:13:24  
2020-01-02 BOBBY WISEMAN SINGS WRENCH TUTTLE IN HER DREAM CASSETTE SIDE A   03:13:24 00:29:07
2020-01-05 ELUVIUM COPIA VINYL SIDE A 00:18:50 03:32:14  
2020-01-08 ELUVIUM COPIA VINYL SIDE B 00:21:00 04:12:55  
2020-01-08 GLENN GOULD WELL TEMPERED CLAVIER VINYL SIDE 1/6 00:19:41 03:51:55  
2020-01-08 The Replacements Pleased To Meet Me VINYL SIDE A 00:16:16 04:08:11
2020-01-08 The Replacements Don’t Tell A Soul VINYL SIDE A 00:19:14 04:27:25
2020-01-08 Stevie Nicks Bella Donna VINYL SIDE A 00:19:28 04:46:53