Kind of Fillmore East blues

ramblings and ventures into music on SACD

The Allman Brothers At Fillmore East
Capricorn UIGY-15032 (℗2013 ©1972)

Japanese SHM-SACD

(Brief sojourn on our venture into the world of audiophile or higher resolution music formats)

Experiencing Allman Brothers Band at Fillmore East brings a smile to the face.This is sheer listening pleasure, especially as this SACD brings out all the nuances and details of the live act – the Fillmore East shows being hailed as the best concert recording. Fillmore East is also Duane Allman’s last album.

The Allman Brothers are a Southern country rock jamming band with all the blues and jazz structure as you can hear for yourself. The Japanese SHM-SACD includes the original seven tracks from the three nights of the spirited performances. The evening starts with Duane Allman on slide guitar on Statesboro’s Blues. Done Somebody Wrong is a rollicking blues with guitar lead and boogie bass. Stormy Monday is the sad blues. The long trademark jams are the band at its best, long but so good. Dickie Betts’s In Memory of Elizabeth Reed (from Idlewild South) with lead guitar trade-offs and the drum solo parts carry the album to the last and seventh track on the SACD. Whipping Post is a whopping 23 minutes and its tease on the fade out notes can only leave the fan or listener at home yearning more of what is to be delivered, Mountain Jam as heard in its entirety on Eat A Peach).

1Statesboro Blues Written-By – Will McTell*Written-By – Will McTell*4:22
2Done Somebody Wrong Written-By – Clarence LewisDavid C. Thomas*, Elmore JamesMorgan RobinsonWritten-By – Clarence LewisDavid C. Thomas*, Elmore JamesMorgan Robinson4:35
3Stormy Monday Written-By – T.Bone Walker *Written-By – T.Bone Walker*10:28
4You Don’t Love Me Written-By – Willie Cobbs Written-By – Willie Cobbs19:18
5Hot ‘Lanta Written-By – Oakley, B.*, Trucks, B.*, Betts, D.*, Allman, D.*, Allman, G.*, Johanson, J.J.*Written-By – Oakley, B.*, Trucks, B.*, Betts, D.*, Allman, D.*, Allman, G.*, Johanson, J.J.*5:22
6In Memory Of Elizabeth Reed Written-By – D. Betts *Written-By – D. Betts*13:05
7Whipping Post Written-By – G. Allman *Written-By – G. Allman*23:10

tracks listing from the wikipedia


A case of mono

A series of reflections on music or records

With the recent RSD 2021 release  Chet Baker Sings, the trumpeter gets to feature his singing voice. The feature of the release is it is in mono. Being in mono actually brings this recording to life.

Listening to it is a pleasure and being a stereo or audiophile nut (albeit without the budget) means the resurrection of the Connoisseur BD-1 belt drive turntable that was built by the experts at Ring Audio. The assembly kit was placed on a solid piece of wood that was anti-vibration. Drilled in place beside the platter is the original classic SME 3009 tonearm. Chosen for its characteristics to accompany the tonearm is the Nagaoka MP-10 cartridge, a Japanese cartridge that for its time was expensive. Fortunately, the MP-10 cartridge still works with the new generation of its brand of stylus options. The MP-110 replacement stylus represents an upgrade over what would have been its new MP-100 counterpart.

Together, the Nagaoka combination sounds like a dream, accurate and bringing out detail in the mid-range. The high end rings and the bass is present.

That it is from the original mono tapes acutally brings this recording to life. Keeping it in mono makes it sound less processed. With eyes closed, the image of Chet Baker Sings rings true centre.



The news? Moving into a new apartment with a view in upper Scarborough, we decided to bring the old stereo system back to life. This system is about as analogue as it can get, with Kenwood KA 3500 40 watt amp, Technics SL-1200 MKII turntable, two former Mirage speakers with a Ring Audio internal design and two cassette decks: one Sony and one AIWA.

THE Turntable Doctor at Bay Bloor Radio examined the stylus of the Ortofon 2M Blue After an electronic cleaning and although the stylus was already shorter than an original needle, he pronounced the stylus was still good and had 1000 hours left on it.  Now how long is 1000 hours in record playing terms? That was a good question. The Turntable Doctor said that should be three years. I thought why not keep track of what is 1000 hours?
As well, the technician suggested demagnetizing or clearning the cassette heads every 30 hours. So keeping track of that well will be on the table. The titles listed will be either on vinyl or cassette unless listed otherwise. There will be compact discs played as well and those will be included as well (but will not count towards the 1000 hours).

Welcome to my listening, good taste or whatever you may term it.

2019-12-28NILS FRAHMSCREWSALBUMSIDE A/B00:28:0000:28:00 
2019-12-28CRASSSheep Farming in The FalklandsflexiSIDE A 00:05:2200:33:22 
2019-12-28U2NO LINE ON THE HORIZONALBUMSIDE A 00:17:0000:50:22 
2019-12-30BOB DYLANLIVE AT BUDOKANALBUMSIDE B00:26:4201:17:04 
2019-12-30APHEX TWINSELECTED AMBIENT WORKS 1985-1992ALBUMSIDE A/B00:34:2002:34:49 
2020-01-05ELUVIUMCOPIAVINYLSIDE A 00:18:5003:32:14 
2020-01-06ELUVIUMCOPIAVINYLSIDE B00:21:0004:12:55 

The most recent listen goes back to the classical, Glenn Gould Well-Tempered Clavier. No. 1 is in C, it always starts that way. These are pieces that many have undoubtedly played while learning piano for the Conservatory. No doubt no one will ever play them as well as Glenn Gould could.
Eluvium is a taste that goes back 10 years to 2009. The Volume 1 box set of that time is long out of print, but back then it was one hundred sixty dollars which was a lot of money then.